A thin, narrow, moustache that grows downward in two very long tdrils from the upper lip, with the tapered, pointed ds hanging past the jawline. It is similar to the horseshoe moustache, but differtiated by the chin and cheeks area being smooth shav with the lip tdrils overhanging them.
The moustache is named after Fu Manchu, a fictional Chinese master-criminal created by Sax Rohmer in 1911, whose portrayal in print and film media established the style.
A moustache which has its ds grown much longer and oft flared out. This is usually acctuated by styling the hair with a product such as hair gel or moustache wax. Occasionally, the ds are worn in loops.
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A moustache that covers the area betwe vermilion border and nose, and extds to the edges of upper lips, but no further.
A full moustache with ds that extd down in parallel straight lines beyond the upper lip and down to the jawline. It is similar to the traditional goatee, except for the clean-shav chin, and resembles a horseshoe or an inverted U.
A pcil moustache is a thin line of hair, usually just above the line of the upper lip. It is supposed to look narrow ough to have be drawn on with a pcil (or eyeliner). Oft a man wearing a pcil moustache will shave the area above it to acctuate the remaining hair. Similar thin moustaches are sometimes favored by scuba divers because the moustache does not interfere with the diving mask sealing against the skin.
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This is a narrow but tall moustache which gerally does not extd beyond the sides of the nose, and extds to the upper lip. This type of facial hair resembles a small brush like a toothbrush, where the bristles are attached to the bottom of the nose, which was once thought comical.
Charlie Chaplin was the first famous man to sport this look, and his popularity circa 1915 made the toothbrush style fashionable worldwide in the early 20th ctury. However, Adolf Hitler's adoption of the style from 1919 onward evtually led to a distinct association betwe the style and the German Nazi leader. Resultantly dubbed the Hitler moustache in the public consciousness, the style faded from popularity after 1939 and was nearly extinct after World War II.
The walrus moustache is characterized by whiskers that are thick, bushy, and droop over the mouth. The style resembles the whiskers of a walrus, hce the name.
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A moustache where the two ds droop downwards towards the jawline, as worn by Mexican Revolutionary Emiliano Zapata. The style was popularized by Marlon Brando in the 1952 semi-biographical film Viva Zapata!.
The simple term beard is an umbrella term which can include any style of facial hair that isn't clean shav or just a moustache.
Facial hair growing from the chin directly beath the mouth. This is meant to resemble the hair on the chin of a goat. Also called a chin puff or chin strip. (Also see: goatee.)
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A beard style incorporating hair on the chin but not the cheeks. Traditionally, the term referred to a style including only the hair on the lower jaw around the mouth, but has become a blanket term to refer to any style incorporating hair on the chin but not the cheeks, including those with incorporated moustaches.
The Zappa style consists of a wide soul patch and full moustache that extds slightly downward past the corners of the mouth. Named for American musician Frank Zappa.
An extded version of the Van Dyke which wraps around the mouth, with the ds of the moustache (and sometimes also the jawline) flared out beyond the lines that connect to the chin. Named for Italian aviator and Marshal of the Air Force in Fascist Italy Italo Balbo. This style was common among 19th- and early 20th-ctury German collegiates and military officials.
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A soul patch is grown just below the lower lip, but does not grow past the chin (i.e., goat patch). This facial hairstyle is oft grown narrow and sometimes made into a spike. The stereotypical image of a 1960s beatnik oft includes a soul patch. Howie Mandel (pictured) is a notable modern-day man known for sporting a soul patch.
The Van Dyke style is a type of goatee in which the chin hair is disconnected from the moustache hair. Oft the two patches are shaped and styled indepdtly of each other, sometimes with the chin being made into a narrow oval shape and the moustache flared out like a Handlebar style. This style is sometimes conflated with the Frch Beard, which has a fuller chin beard. It is named after the 17th-ctury Flemish painter Anthony van Dyck.
Sideburns which are connected to each other by a narrow line of hair along the jaw, resembling a helmet strap harnessed to one's chin.
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A stubble is any lgth of hair which is long ough to be se, but short ough to not fully cover the skin beath. This contributes to an image that a man is anywhere betwe relaxed and casual to disheveled and unclean.
The term five-o'clock shadow refers to stubble which is very short, appartly only a few hours' growth (as it would look at 5 PM after a man shaved that morning).
A more elaborate growth of sideburns which also grow larger toward the chin, resembling a mutton chop (cut of meat with a bone sticking out). An glish style that became popular with some in the US by the early 1800s.
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A beard which does not include any hair on the face, but includes the hair of the neck, or under the jaw, or both. Popular in the 19th ctury, wearers included Jefferson Davis, Joseph Dalton Hooker, Richard Wagner, Hry David Thoreau, Horace Greeley, Horatio Seymour, and Alpheus Felch.
A fuller version of the chin curtain in which only the moustache is shaved, allowing the hair on the neck to grow out. The Shandoah style was common in the 19th ctury in Europe and North America, and is oft associated with the Amish community.
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Originally known as Burnsides, sideburns are the patch of hair in front of the ears which connects a beard to the hair of one's head. Any extsion beyond a simple corner angle on the front side of the head is considered to be a sideburn, though they can range widely in size from short and neatly cropped to the distinctly massive muttonchops of Ambrose Burnside (who gave the term its original name).
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Related to sideburns and muttonchops, but considerably more extreme. Classic sidewhiskers hang well below the jawline. They may be connected via a moustache, as in this picture of Chester A. Arthur, but this is not always the case (similar to the situation with standard and fridly mutton chops).
A full-beard which shows full, unmodified growth on all available areas of the face and neck, including the moustache, chin, sideburns, and cheeks.
A pointed beard that is split by a curl at the chin. Despite also being known as the Frch fork, it originates from Iran.
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A beard where the middle part hangs from chin leaving it pointed. It is set apart from the extded goatee by the inclusion of sideburns.
A full beard that features a goatee, full mustache and horizontal chinstrap with all hairs on the upper cheeks and sideburns removed.
A beard with the lgth of more than 20 cm. A Ned Kelly beard is a style of facial hair named after 19th-ctury Australian bushranger and outlaw Ned Kelly.We use cookies and other tracking technologies to improve your browsing experience on our site, show personalized content and targeted ads, analyze site traffic, and understand where our audiences come from. To learn more or opt-out, read our Cookie Policy. Please also read our Privacy Notice and Terms of Use, which became effective December 20, 2019.
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This chart purports to show how facial hair styles in London changed from 1842 to 1972. You could call it the Rise of the Razor.
The data comes from a study that sociologist Dwight Robinson did back in 1976, looking at facial hair trends from 1842 to 1972. His methodology was somewhat unusual — he paged through 130 years of the Illustrated
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Back in the 1880s, it seems like almost everybody in London had some type of facial hair — and beards were the most common. Sideburns dwindled in the 19th century, and mustaches came in vogue around the 1870s. But by the 1970s, when Robinson's study ended, facial hair was going out of style.
There are some obvious limitations to the study — the chart only represents trends for the type of elite men who would have appeared in the Illustrated
. So it's an older, English set being tallied — there aren't any beatniks or hippies shown in the data. The study also leaves out men in uniform and, of course, people who weren't in London.
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There are a couple of theories about why beards went out of style, and the most compelling might be the decades-long rise of the safety
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